When we started the ISCA Forum newsletter in January, and even a few months ago, when we started preparing this second edition, few of us could have anticipated our strange new situation. As we write this, most of us the world is on lockdown, and academic life is moving almost entirely online. While this is a highly stressful time, there are some silver linings. One among them is that it is bringing our community closer together. Data sessions and working groups are no longer restricted by geographical distances. Moving meetings to online platforms means that everyone can join in from everywhere.
Over the past few weeks we’ve all been forced to move our research meetings online in an effort to progress our research, stay connected and have a semblance of what was normal. Holding data sessions remotely is not new — for the past 3 years we have been running the Remote Data Sessions (RDS) series to provide a space for people that may not have access to regular data sessions, or a CA community to practice doing CA and connect with others in the community. This report compiles our thoughts on the most accessible and data session friendly platform, how to access that platform through ISCA, our own procedures for hosting a remote data session (which are applicable for other platforms), and finally we invite discussion and comments on your own ways of remotely working.
Negotiation of poses in photography studio is an important process for photo taking. In order to produce a desirable photo, photographers and clients engage in artful practices in calibrating body postures (e.g. Tekin, 2017). Tekin showed that the skilful coordination between the photographer and the clients involves considerable interactional work, including linguistic and embodied resources as well as spatial adjustment in the studio. In fact, apart from posing, another important aspect in the photo-making process is to produce an appropriate facial expression (e.g. smiling face, serious face, joking face, excitement face). Perhaps because smile is often preserved as a positive expression of feelings, such as happiness (Nettle, 2005), affiliation and appreciation in interactions (Peräkylä & Sorjonen, 2012), a very frequent practice in a photographic studio is to instruct and help the client to “produce a smiling face”.
In this field report, I will explain my process for making a custom GoPro rig, in the hopes of encouraging others to try out making their own.